August 11, 2025Open Access

On Ælfric and Old English Metrical Theory

Key Points

Ælfric's rhythmical style is better understood as prose rather than traditional verse, and this challenges Bredehoft's assertions.
The analysis highlights a critical defense against Bredehoft's claims, emphasizing the importance of traditional old english metrical theory.
Through examining ælfric's works, it becomes evident that he perceived his compositions in a unique metrical light and not merely as verse.
This discussion concludes by appreciating Bredehoft's scholarship on laȝamon's Brut, promoting a positive dialogue in old english studies.

Abstract

In 2016, Thomas A. Bredehoft wrote a reply to my criticism of his theory of Old English metre, according to which Ælfric's rhythmical compositions ought to be considered verse rather than prose. Here, I provide an answer to some of the points and some of the objections raised in his 2016 essay. I conclude that Bredehoft's criticism of traditional Old English metrical theory is unwarranted, and that Ælfric appears to have regarded his rhythmical style as a special manner of prose composition. The piece ends in a positive note, commending Bredehoft for his work on Laȝamon's Brut and Chronicle verse.

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Rafael J. Pascual

Universidad de Granada

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SELIM Journal of the Spanish Society for Medieval English Language and Literature

On Ælfric and Old English Metrical Theory

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