This study investigates the art of wood carving, a significant cultural and economic practice in West Africa, particularly in the Yoruba region of southwestern Nigeria. Wood carving not only represents a rich artistic tradition but also plays a crucial role in the livelihoods of local communities. Despite its importance, this art form is often overlooked by policymakers in the development, forestry, and tourism sectors. The primary problem identified is the sustainability of wood carving, which faces numerous challenges, including the perishable nature of wood, selective harvesting practices, and the decline of preferred hardwood species. The objectives of this research are to assess the current state of wood carving, to evaluate the impact of these challenges, and to propose strategies for promoting sustainable practices in the industry. To address these objectives, a mixed-methods approach was employed, combining qualitative interviews with local wood carvers and quantitative analysis of the wood species used in carving. Critical observations, or “oju inu,” were made regarding the interplay between traditional practices and contemporary adaptations, revealing how contemporary Yoruba wood carvers are innovating while still honoring their heritage. The findings indicate that while the tradition of wood carving remains vibrant, it is threatened by environmental and economic pressures. Additionally, the study highlights that, contemporary adaptations present both opportunities for innovation and challenges for cultural preservation. This study underscores the need for greater recognition of wood carving as a vital cultural asset and emphasizes the importance of sustainable practices to protect this art form and the ecosystems that support it.
AKINDOJUTIMI et al. (Tue,) studied this question.