In writing the original play The Return, I discovered abilities to organize, encourage, and direct, which I never knew I had. From the play’s origin inside of my 8x10 prison cell of solitary confinement, to its inception and encore performance, each and every person involved eventually became totally committed to its success. In this essay, I reflect on the process of play writing in prison.
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Edwin James (Wed,) studied this question.
www.synapsesocial.com/papers/68af4eaead7bf08b1ead708d — DOI: https://doi.org/10.59236/rjv4i1pp178-181
Edwin James
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