Abstract: Failure shapes Aphra Behn's hugely successful farce, The Emperor of the Moon (1687). The play depicts Doctor Baliardo, a Neapolitan virtuoso whose belief in extraterrestrial empire implodes when a masque-like spectacle that projects his fantasies collapses. Behn's farce arguably derives this emphasis on theatrical disruption from Prospero's interrupted masque in Shakespeare's Tempest , and further borrows from the Dryden-Davenant and operatic Tempest s, to depict failing patriarchal and colonial authority. Through these Prospero-esque figures of failure, Behn tests the theatrical possibilities of illusion's collapse and reflects critically on the Restoration stage's response to scenes of cultural and political decline.
Chloe Porter (Sun,) studied this question.
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