Folklore, religion and natural philosophy: dragons in early modern German alchemy

Abstract The dragons of early modern German alchemy are inheritors of a unique cultural blend of folklore, religious custom and natural philosophy that is unrivalled in Western Europe. Whether inspired by the artwork of the Lutheran Reformation, like Stefan Michelspacher’s ‘Anfang. Exaltation’, or informed by the legends of dragon’s hoards, such as the shapes suggested by Anna Maria Zieglerin for the philosophers’ stone, serpentine monsters found within alchemical works possess more than their figurative chemical meanings. This article explores the range of cultural connotations these dragons held that served to expound their alchemical significance to an early modern German audience, as well as the ways in which alchemy brought these monsters to life through chemistry.