All About Lily Chou-Chou, shown in 2001 and directed by Japanese filmmaker Shunji Iwai, is widely recognized for its fragmented narrative, poetic visual style, and unconventional cinematography, which have made it a subject of extensive analysis in film and cultural studies. While existing research has primarily focused on themes of adolescent alienation and the early 2000s internet culture, few have systematically examined the films aesthetic construction through cinematography, lighting, and color. In particular, the motif of Ether, often viewed symbolically, remains underexplored in visual and semiotic terms. This study addresses that gap by analyzing the films cinematographic techniques and the philosophical and symbolic dimensions of Ether, a concept reinterpreted as a utopian projection of adolescent spirituality. Through a literature review and aesthetic analysis, the research reveals how the film captures the existential tensions of youth, the conflict between good and evil, and the cultural shifts brought by the rise of the internet age, thereby contributing to a deeper understanding of Iwais cinematic aesthetics.
Yuke Zhu (Tue,) studied this question.