Abstract: In Rachel Kadish’s novel The Weight of Ink , carefully handled, restored, and translated texts anchor sacred bonds between the living and deceased. The novel presents a series of interweaves and echoes between three characters across centuries, alongside a metanarrative plot about the labor and circumstances in which contemporary readers work to reassemble the unity of a scattered and long-forgotten life story. In the article’s first section, the author demonstrates the sacrality of literary relationships, using close reading to consider how textual objects act upon the living and bring them into relationship with the deceased. In the second section, she argues that the novel reveals a set of ritual and ethical commitments related to narrative, in which readers and writers accompany the deceased and steward their tales. Using the terminology of curation and custody, she analyzes how these relationships enact feminist, reparative ethics while explicitly subverting and reimagining late twentieth-century Jewish continuity discourses. The Weight of Ink disrupts associations between Jewish survival and the female reproductive body, and instead cultivates an alternative, nongestational mode of continuity grounded in curatorial memory keeping and feminist citation. In sum, the novel both exemplifies and enacts central ethical and religious commitments by Jewish women of the present toward women of the past.
Sarah Schwartzman Ramsey (Tue,) studied this question.