ABSTRACT Filmmaker Robert Eggers may not have intentionally set out to adapt the works of John Milton, but his 2015 horror film The Witch evokes Milton’s many temptation narratives, especially A Mask Presented at Ludlow Castle. Set in 1630s New England, the movie tells the story of a devout English farming family who loses their infant son to a witch and gradually comes undone. Eggers, who has acknowledged Milton’s influence on his film, constructs a Miltonian universe to explore the psychological aftermath of fear and tragedy that accompanies the family’s isolation; he focuses on the suffering and possible liberation of the daughter Thomasin as she ultimately confronts the devil in the woods. Analyzing The Witch in relation to Milton sheds new light on the power and, paradoxically, the limitations of his various scenes of temptation in his major works.
Greg M. Colón Semenza (Mon,) studied this question.