Manuscript 50 (46) from the library of the monastery of Putna contains a text entitled “Discourse on the appropriate manner of standing in the church.” The first part explains the Eucharistic liturgy, from the vesting of the priest to the moment before the epiclesis. The service is dramatized as an interaction between the priest and an angel of God, who later enters a battle with a demon that distracts the congregation. The second part of the text consists of the vision of the monk who lost his faith in the Eucharist. At the prayers of the community, he receives a revelation of the reality of the liturgical mystery, in which he is shown a child slaughtered on the altar table. The visionary text in the first section is part of a tradition attested in the Slavonic environment of the Balkans, which later became popular in the Russian world. These Slavonic versions are based on a similar visionary text attested in Greek manuscripts, but the similarities are only partial. The present study places the text from the Putna manuscript in relation to the iconography of the liturgical space and highlights the relevance of this type of literature for understanding the local monastic culture.
Bedros et al. (Tue,) studied this question.
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