This paper offers a postcolonial reading of Kenyan writer Ngugi wa Thiong’o’s short story “Goodbye Africa”, culled from his book Secret Lives and Other Stories (1975). The story is a compelling portrayal of the psychological and ideological breakdown of a British colonial officer during the waning days of British rule in Kenya. The narrative depicts his inner conflict, marked by disturbing visions of a former servant who has become a freedom fighter and by the erosion of his sense of power, identity, and moral certainty. Situated in the context of a collapsing imperial regime, the story reflects not only the disillusionment of one man but also the broader collapse of the colonial project of British colonizers. Through detailed textual analysis, the paper investigates Ngugi’s critique of the lasting legacies of colonialism, focusing on motifs such as loss of cultural belonging, betrayal, and the weight of psychological guilt. The narrative underscores the personal toll of sustaining colonial ideologies and the contradictions inherent in those who both profit from and enforce them. Drawing upon the postcolonial frameworks of Edward Said, Frantz Fanon, and Homi Bhabha, the discussion examines how “Goodbye Africa” merges personal confession with political commentary. The protagonist’s descent into instability, his disrupted experience of time and reality, and his voluntary isolation reveal the deep psychological wounds left by imperial domination.
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Mohd Nageen Rather
Vandana Singh
Chandigarh University
The Social Science Review a Multidisciplinary Journal.
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Rather et al. (Tue,) studied this question.
synapsesocial.com/papers/68de84bb5b556a9128e1b891 — DOI: https://doi.org/10.70096/tssr.250305020