This article examines the significance of Christina Rossetti’s caregiving responsibilities and suggests that the relationship between caring and writing is a central, if critically neglected, concern of her poetics. I focus on two periods in Rossetti’s life to show how her creative practice was shaped by her duties as a carer, and vice versa. In the 1840s, when the adolescent Rossetti suffers a breakdown while caring for her father, Gabriele, her physician, Dr. Charles Hare, helps her find solace in self-reflection and writing poetry. Forty years later, Rossetti revisits Hare’s holistic approach when looking after her mother and aunts. During this period, she produces Time Flies , the experimental, hybrid form of which addresses and accommodates her struggles to balance writing and caring. I conclude by arguing that Rossetti’s efforts to live and write with divided attention provide fresh opportunities for exploring the connections between domestic labor and creativity. As well as endorsing Talia Schaffer’s call for “a literary criticism that is predicated on care,” I propose that writing as an act of care has implications beyond the academy: I end with a short discussion of the ongoing poetry workshops for carers that were directly inspired by my research on Christina Rossetti.
Dinah Roe (Wed,) studied this question.