Abstract Taylor Swift’s 12th studio album, The Life of a Showgirl , marks a pivotal shift in her branding and marketing from selling intimate relatability to selling spectacle. Once defined by her relatability and diaristic storytelling, Swift now embraces spectacle, excess, and self-mythologizing. For her most recent album, controversy over its marketing and content is polarizing, where some seeing her as unrelatable. On the album, Swift embraces strategies rooted in exclusivity, luxury, and provocative, explicit themes. Swift will not get any more relatable as she ascends to superstardom, and the question remains: Can an artist who rose to power by being relatable and intimate with fans still thrive when that very success makes them increasingly unreachable?
Adler et al. (Wed,) studied this question.