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The analysis explores themes of imperialism and aggression in Dan Brown's narrative and their implications for society.

January 24, 2026Open Access

Central Imperialistic Aggression

Key Points

The analysis explores themes of imperialism and aggression in Dan Brown's narrative and their implications for society.
Thematic analysis of Dan Brown's narrative style and content.
Examination of aggressive and imperialistic motifs within the text.
Interpretation of character dynamics and their implications for societal control.
The narrative illustrates Europe as a central hub of global aggression.
Aggression and manipulation are linked to modern authoritarianism.
Characters symbolize both subservience and rebellion against oppressive forces.

Abstract

Dan Brown had already invaded many countries in Europe and around Europe. But this time he is targeting the whole of the world from Europe. Europe is the nest of the aggression, the cove of the raping of the world, the haven of the scientific and technological military campaign to enslave all minds, to put everyone in some kind of pleasurable forced labor camp, and to enchain any recalcitrant rebellious reclaiming subversive first amendment infested dumb ass to their own tombs for them to die there on the stone, decay there on the marble, and progress and regress together back to the earth right there on a tombstone to remind everyone the only future for the discontented egocentric delirious voice claiming the right to free speech and free living, if not even free loving, their only future is to die of thirst, to die of hunger, to decay on the spot, more or less devoured by wild beasts and be damned to hell for ever and ever, even though that will not count since ever and forever in death is zilch, nothing, no future. That's what Dan Brown promises if, with the help of Netflix, every sequence of this serialized delirium tremens was to be a trump card in the hand of the Trump omnipotent president who believes he is God and is recruiting archangels to bring about a world of obedience and submission. Even if you see how perverted this imagination is, you will enjoy it because somewhere it still titillates you in your most private family jewels, though there is definitely no emotional and sentimental romance in this novel. Only one man is the center of two romantic appeals, one real and the other ordered by the CIA, and this Michael dies in the hands of a ghost, yes indeed, an alter ghost of a Dissociative Identity Disordered lady, her male alter mind you. Add some epilepsy to this lady, and then you will know what it is to be a trump card in a novel by Dan Brown. He has no, absolutely no empathy for his characters, who are puppets on a string or a rod, but nothing but puppets, or maybe even less, and thus nothing but puppies, that salute the flag with a little bit of barking. You'd better get vaccinated against the CIA retrovirus. It is definitely worse than COVID 19

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