Abstract: Emily Dickinson’s Vesuvius poems are Civil War poems. Given Vesuvius’s eruption near the start of the Civil War in 1861, this essay argues that Dickinson registers Vesuvius less as a symbol for herself and more as the pervasive symbol of slavery and war proliferating across print and visual media. Since Dickinson’s “Vesuvius dont talk” phrasing reflects a traceable pattern across her Vesuvius poems, this essay considers how Dickinson uses strategies like vernacularized speech to index and play with Vesuvius’s larger significance during the same moment in which she writes the majority of her poems (1859–1865).
Wendy Tronrud (Wed,) studied this question.
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