This article seeks to open up comparative, transversal scholarship on the representation of queer women in Europe. Engaging critically with associations of lesbians with modernism, analysis draws on Heather Love’s concept of “backwards modernism”, and Susan Lanser’s notion of “confluence” to bring into dialogue two underexplored novels that recount the queer experiences of young women in England and France: Rosamund Lehmann’s Dusty Answer (1927) and Jeanne Galzy’s Jeunes filles en serre chaude (1934). We identify several striking points of convergence between the novels, and argue that while they are both ambiguous in their portrayal of non-normative sexuality, they show how early queer sexual experiences are far from a “passing phase”; rather they are transformative.
Antosa et al. (Tue,) studied this question.