The Romanticization of the Rounded Binary Form in Robert Schumann’s Piano Works

Key Points

• This article aims to explore how Robert Schumann transforms the rounded binary form in his piano compositions.
• Analyzed Schumann's piano works focusing on rounded binary structures.
• Compared Classical rounded binary with Schumann's adaptations.
• Identified instances where recapitulation merges with the contrasting middle.
• Schumann often merges contrasting middle and recapitulation sections.
• Reinterpretation of cadence as a continuation rather than a separate return.
• Identification of unique cadential extensions in his compositions.

Abstract