In the contemporary context where digital technology is profoundly reshaping artistic creation, immersive interactive installations have emerged as pivotal mediums for reconfiguring human-space relationships. This study examines TeamLab's seminal interactive work Borderless Clouds through the theoretical lenses of embodied cognition and interactive narrative, employing a combined methodology of literature review and case analysis. It systematically investigates how digital media reconstructs the relationship between humans and space through multisensory experiential design.The findings reveal that Borderless Clouds utilizes the synergistic effects of cloud physics simulation, real-time light-shadow tracking, and auditory feedback to construct an embodied illusion of "floating amidst clouds." This transformation shifts the audience from passive "observers" of space into active "participants" and "co-creators of meaning," thereby dissolving the boundaries between the virtual and the physical. This research not only contributes to interdisciplinary theoretical discourse in embodied cognition and interactive narrative but also provides actionable insights and methodological references for future creative practices in digital interactive installation art.
Wang Zhiyi (Wed,) studied this question.