The art of Jaranan in East Java has undergone a significant transformation, particularly in the use of Gamelan as its accompanying music.This study aims to explore the transformation of gamelan in Jaranan performances in East Java, the factors driving this shift, and its impact on the cultural and artistic sustainability of Jaranan.Utilizing Anthony Giddens' social change theory and Garca Canclini's cultural hybridization theory, this research explores the dynamics of cultural adaptation in the context of globalization and examines how these transformations impact the sustainability of traditional performing arts.Employing a qualitative research method with an ethnographic approach, this study was conducted in Tulungagung, Blitar, Kediri, Banyuwangi, and Ponorogo.Data was collected through participatory observation, in-depth interviews, and document analysis.This research is grounded in Anthony Giddens' social change theory, which explains that cultural shifts occur due to interactions between social structures and individual actions, and Garca Canclini's hybridization theory, which emphasizes how traditional and modern elements can merge within art without losing its identity.The findings reveal that the transformation of Gamelan in Jaranan art is influenced by technological advancements, changing public preferences, economic factors, and performance innovations.While the adoption of modern musical instruments enhances the appeal of performances to younger generations, it also risks reducing the number of gamelan players and diminishing the sacred elements of Jaranan art.Therefore, a balanced strategy between innovation and cultural preservation is essential to ensure the relevance and sustainability of Jaranan art.
ADIYANTO et al. (Thu,) studied this question.