This study explores the issue of radiation in Don DeLillo's Underworld, which involves a nuclear crisis that is domestically generated by weapons tests and radioactive waste.Drawing on research on the long-term effects of radiation, it examines how the novel's protagonist, Nick Shay, conceptualizes and practices nuclear waste management in the face of the awe-inspiring incalculability of radiation.To achieve that aim, the study first explores the nuclear landscape and examines how DeLillo, against a contaminated landscape, raises problems with the technological mastery of nuclear power, chief among which are the amount of time required for radioactive decay and the sensation of the mathematical sublime Nick develops in his response to the complex effects of radiation.To approach Nick's sublime sensation, the representation of the untouchable-a group of individuals who have been exposed to deadly radiation around a nuclear test site-is also important.Overall, the article investigates the geographic, aesthetic, and ethical aspects of DeLillo's narratives about radiation in conjunction with waste management's long-term responsibility for the protection of life.
Yoshihiro Nagano (Mon,) studied this question.
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