This article explores the cultural context of fragrance in classical Chinese literature, focusing on its symbolic significance during the Southern Song Dynasty. The introduction provides insights into the rich traditions and connotations of scent in Chinese literary and cultural practices. Following this contextual framework, the article attempts a meticulous reading of selected poems from Jiang Kuiʼs (姜夔) renowned collection, Baishi Ci to demonstrate Jiang Kuiʼs sophisticated employment of fragrance as a poetic device and clarify how he weaves scent into the fabric of his verses to create layered meaning and evocative imagery. The discussion then explores the metaphorical depth of Jiang Kuiʼs fragrance depictions to elucidate the complex web of associations and emotions conveyed through his olfactory imagery. This section investigates how Jiang Kuiʼs use of fragrance resonates emotionally with readers, creating a sensory bridge between the physical world and the realm of feelings and memories. In conclusion, this article offers the broader implications of Kuiʼs innovative approach to fragrance imagery in the context of Chinese literary history.
Jianglin Zhang (Sat,) studied this question.
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