This article analyzes the functional characteristics of stylistic devices and neologisms used in the literary works of prominent representatives of 20th-century world literature, namely George Orwell and Ernest Hemingway. The study explores the role of newly coined lexical units (neologisms) employed by the author in the novel “1984” as a means of social control and ideological influence, as well as examines the author’s individual style, conciseness, and expressiveness in the work “A Farewell to Arms”. The research is conducted within a linguo-stylistic framework, applying a comparative analysis of the stylistic features of both authors. The findings of the study contribute to a deeper understanding of the aesthetic and semantic functions of linguistic means in literary texts.
Nezomov et al. (Wed,) studied this question.