This article aims to investigate the perdurable presence of shamanic archetypes across world literatures with a particular emphasis on English and Turkic narrative traditions. As a manifestation of the primordial spiritual practice, shamanism provides a solid framework for understanding the tenacious engagement of humanity with transcendental experiences, healing rituals, the search for ultimate meaning, and cosmological order. In English literature, shamanic elements are instantiated through symbolic journeys, nature mysticism, as well as magical mediation, while core shamanic concepts of liminal passage and spiritual transformation are reflected in the recurrent motifs of a wise magician, sacred landscape, and heroic descent into supernatural realms. Although these elements oft appear transformed by the Western cultural lens, they, nevertheless, retain their fundamental connection to the original shamanic cosmology. Turkic literary traditions, in their turn, present a more direct embodiment of shamanic practice, especially in their epic narratives, in which the shaman appears as a central protagonist, personified by a healer/ seer/ guide of souls, whose rituals and spirit communications structure the narrative itself. Turkic literary works preserve all-inclusive accounts of ceremonial practices, spirit associations, and cosmic journeys, which reflect existing shamanic traditions of Central Asia. As a consequence, this article employs comparative analysis to reveal how shamanic consciousness persists as a vital literary force across varying cultures: English literature oft adapts shamanic motifs metaphorically, while Turkic traditions maintain their ritual authenticity. Both approaches validate the capacity of literature as a cultural construct to preserve and reinvent ancient spiritual paradigms that offer insights into the timeless search of humanity for meaning beyond material existence. At the same time, this article brings to the fore the enduring relevance of shamanism in the contemporary world as an indispensable element of cultural heritage and a universal symbolic language in world literature.
VOLHA KORBUT SALMAN (Fri,) studied this question.