This study investigates the communicative power of editorial cartoons in Ghana’s public discourse, focusing on how they inform, critique, and influence sociopolitical narratives. Drawing on a dataset of cartoons by Tilapia—one of the country’s leading cartoonists—published between May 2024 and May 2025, the paper explores how cartoons address themes such as economic hardship, youth addiction, cultural values, environmental degradation, and political hypocrisy. The central question guiding this study is as follows: How do Tilapia’s editorial cartoons visually construct and critique key national issues—such as economic hardship, environmental degradation, youth addiction, and political hypocrisy—in Ghanaian public discourse? Guided by an integrated theoretical framework from semiotics, visual rhetoric, and critical metaphor theory, the analysis reveals how cartoons use humour, caricature, exaggeration, and symbolic imagery to simplify complex realities and foster civic reflection. The study highlights how cartoons serve not only to entertain but also to hold power to account, amplify public concerns, and promote sociopolitical engagement. Through detailed visual analysis of ten selected cartoons, the paper underscores their capacity to critique governance, expose contradictions, and reflect collective sentiment—especially during election cycles. Overall, the research affirms the evolving role of visual satire as a potent medium of resistance, cultural expression, and democratic participation in Ghana. By bridging visual culture and critical discourse, the paper contributes to broader understandings of the role of the media in shaping public perception and fostering informed citizenship.
Alexander Angsongna (Tue,) studied this question.