In contemporary environmental design of provincial cities, ornamentation—one of the key directions of traditional applied art—is actively employed, having absorbed and preserved a substantial body of information about sign systems and the geometry of space through ordered rhythmic patterns. National and ethnic ornaments are of particular importance for the culture of a state, as they reflect the cultural specificities of diverse ethnic groups and the overall multinational character of the country. The present study focuses on the investigation of ornament in the environmental design of regional cities as an element of the distinctive cultural code of local communities. The research examines the role of ornament within the urban environment system, the principles and methods of integrating ethnocultural ornamentation into urban space, the practice of combining various ethnic ornament traditions into a unified ornamental complex within the overall system of urban decoration and individual architectural structures, as well as the process of forming a unique, authentic multicultural environment. The study employs descriptive and comparative methods, with particular emphasis on formal-compositional analysis as a key research tool, enabling an in-depth examination of the material. The main findings of the research are as follows: the application of ethnocultural symbolism in the spatial environment of provincial cities embodies the history and culture of ancestors, preserves the local identity of ethnic communities, and supports the image of a multinational state culture. The value of ornament in environmental design lies in its capacity to store and transmit information about ethnic groups, their traditions, and social norms, as well as to reflect the heritage of a specific territory. The modeling of contemporary ornamental compositions through the integration of diverse ethnocultural traditions contributes to the creation of a multicultural space, thereby fostering the cultural development of both local communities and the region as a whole. It is important to note that individuality in the construction and combination of symbolic elements of local ethnic traditions constitutes the principal approach to creating unique ornamental compositions within the spatial environment of regional cities. This, in turn, facilitates the reproduction, renewal, and further development of national ornamentation in environmental design, generating new channels of communication across both space and time.
Litavrina et al. (Wed,) studied this question.
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