Shashi Deshpande’s The Dark Holds No Terrors (1980) portrays the deep psychological scars left by gender-based discrimination and patriarchal conditioning on an educated, middle-class Indian woman. Through the protagonist Sarita (Saru), a successful physician tormented by childhood parental favoritism, survivor guilt, and marital strain, the novel exposes how societal norms cultivate persistent fear, self-reproach, and emotional suppression. This paper traces Saru’s gradual movement from internalized guilt and relational alienation toward a tentative but significant affirmation of her professional identity and personal worth. It illustrates the broader, incremental evolution of women’s social positions in postcolonial India—from rigid conformity to subservient feminine ideals toward emerging self-validation and limited autonomy. Deshpande’s restrained feminist lens presents fear as a socially engineered obstacle that, when confronted through introspection, can become a pathway to quiet self-empowerment rather than dramatic revolt.
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D.K. Kamble
Kolej Poly-Tech MARA
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D.K. Kamble (Mon,) studied this question.
www.synapsesocial.com/papers/6a0414cc79e20c90b4444b78 — DOI: https://doi.org/10.5281/zenodo.18920024
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