This study explores how post-1990s commercial cinema absorbs and reconfigures the narrative ambiguity of art cinema. Through formalist and cognitive analyses of Pulp Fiction, Memento, Mulholland Drive, and Inception, this study identifies a hybrid form of complexity that merges aesthetic indeterminacy with market-oriented storytelling. The concept of hybrid complexity reveals cinema’s evolving balance between openness and control, demonstrating how ambiguity becomes both an artistic strategy and a commodity in contemporary media culture.
Yang Yu (Fri,) studied this question.
Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context: