What question did this study set out to answer?

The commentary examines the complex relationship between masks and identity in drama therapy, as articulated in Robert Landy's autobiography.

May 27, 2026Open Access

The parodox of the mask

Key Points

The commentary examines the complex relationship between masks and identity in drama therapy, as articulated in Robert Landy's autobiography.
Analyzes concepts from Robert Landy's autobiography, focusing on masks in drama therapy.
References insights from photographer Claude Cahun regarding role theory and identity.
Discusses the dualities inherent in the use of masks in therapeutic settings.
Highlights the paradox of masks representing both the self and different roles.
Explores the depth of identity and imagination revealed through mask work.
Cites the idea that understanding masks is an ongoing journey, reflecting continuous self-discovery.

Abstract

This commentary is based upon Robert Landy’s autobiography, The Mask and the Mirror: A Life in Drama Therapy , to be published in 2027. Landy discusses how the mask embodies the drama therapy paradoxes of reality and imagination, role and self. He cites photographer/mentor, Claude Cahun, whose deep mask work informs an understanding of role theory in drama therapy: ‘Under this mask, another mask. I will never finish lifting up all these faces’.

Read Full Paperexternally

Mark Helpful

Bookmark

Relay

View Full Paper