Gender Identity and Social Conflict in the Selected Plays of Mahesh Dattani: A Critical Exploration Amol Nandewar Research Scholar, Institute of Excellence in Higher Education, Barkatullah University, Bhopal Dr. Seeme Mehmood Associate Professor, Dept. of English, Institute of Excellence in Higher Education, Barkatullah University, Bhopal Abstract This research paper critically explores the representation of gender identity and social conflict in the selected plays of Mahesh Dattani, one of the most significant voices in contemporary Indian English drama. Dattani’s plays present marginalized identities and expose the complexities of gender discrimination, patriarchy, sexuality, and societal hypocrisy embedded within Indian social structures. The study examines how his dramatic narratives challenge traditional gender norms and reveal the psychological, emotional, and social struggles faced by individuals who do not conform to dominant cultural expectations. Through the analysis of selected plays such as Final Solutions, Tara, On a Muggy Night in Mumbai, and Dance like a Man, the paper investigates themes of identity crisis, gender bias, family conflict, and social exclusion. The research further highlights Dattani’s use of realistic dialogue, symbolism, and stagecraft to portray the tension between personal identity and societal pressure. The study concludes that Dattani’s drama functions as a powerful medium for questioning rigid social ideologies and advocating inclusivity, equality, and human dignity in contemporary Indian society. Keywords: Gender Identity; Social Conflict; Indian English Drama; Patriarchy; Marginalization; Sexuality; Contemporary Theatre
Nandewar et al. (Sun,) studied this question.