Irish writers increasingly gain international recognition and academic attention. More than the fleeting popularity of single authors, the rise of Irish writing is to be attributed to the material conditions of Ireland's massively subsidised creative economy. It is also linked to the country's institutionalisation of creative writing and its ongoing financial commitment to the arts. Fuelled by art exports, this commitment distinguishes it from other literary industries. Based on interview data from CrEIC (Creative Economy Ireland Corpus), the article traces the formation and reconfiguration of the Republic's cultural infrastructure since the 1990s. It maps the distinct post-austerity structures of literary production that have enabled both emerging and published authors to start and maintain creative careers within and beyond Ireland. The analysis reveals how the Irish government – through institutions such as the Arts Council and the Irish Writers Centre, among others – engages monetarily across all stages of the creation, production, reception, and circulation of literature. Its subsidised literary infrastructure has cultivated a distinct pen-to-publication pipeline that nurtures local literary talent and carries emerging writers to the global Anglophone marketplace. The article reconciles institutional, material, and social conditions of writing to assess how Irish writers are positioned in a fast-growing (g)local literary economy.
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Dilâra Yilmaz
Kiel University
Irish University Review
Kiel University
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Dilâra Yilmaz (Fri,) studied this question.
synapsesocial.com/papers/6a21171dd499ed480b16ffc0 — DOI: https://doi.org/10.3366/iur.2026.0755