The article is dedicated to studying the specifics of poetic discourse as a complex system aimed at representing the author's axiological dominants. The discourse is presented as the actualization of the interaction between text structures and extralinguistic factors, which is decisive for the processes of perception and understanding of information. The synergistic potential of poetic discourse is based on the actualization of the interaction between the linguistic means of the text and extralinguistic factors. In this regard, a special place is occupied by the book of poems aimed at a comprehensive presentation of the author's axiological system. The focal points of the organization of the embodied artistic world are key words that determine the conceptosphere based on them, forming artistic unity. The cyclical nature contributes to the formation of a high level of semantic compression, allowing for the demonstration of the unity and inseparability of various aspects and spaces of existence. The purpose of the work is to identify the axiological system of R.M. Rilke's book of poems "Advent." The methodological basis is based on the ideas and developments of domestic and foreign authors in the fields of discourse theory, linguoconceptology, linguoculturology, cognitive linguistics, linguistic synergetics, and philological hermeneutics. The methods of analysis include frequency, contextual, linguistic-hermeneutic analysis, and the crystallization of meaning technique. The novelty of the research is determined by a comprehensive approach to the study of the poetic book of poems, which includes: 1) identification of frequent words; 2) establishing the key words of R.M. Rilke's poetic book (Abend, Einsamkeit, Frhling, Kind, Knigin, Mutter, Nacht, Seele, Tag, Weg, Stadt, Wind); 3) formation of thematic groups; 4) decentering meanings and studying the individual-authorial filling of axiological dominants. Through the representation of the structure of the artistic space and the identification of existing interrelations between the elements, the artistic fabric of the text is formed. As a result of the analysis, it can be concluded that the presented comprehensive approach allows for the identification and characterization of the synergistic space of artistic discourse. The unity of the artistic world crystallizes in the dynamics of interaction between the content of the text and the reflective reality of the recipient, the crystallization of meaning, and synergy. The poetic space forms an alternative reality for a person, and the linguistic specificity, relying on the synergy of interacting linguistic levels, aims to generate a synergistic worldview and creative thinking. The provided examples and scheme illustrate the discussed positions. The results of the study can be applied in academic courses on language theory, discourse theory, stylistics, text interpretation, and philological hermeneutics.
Inna Petrovna Cherkasova (Fri,) studied this question.