As an important medium for conveying rich historical and cultural information, the decorative elements of ancient Chinese timber architecture still lack a systematic understanding of their intrinsic cultural logic in current research and conservation practices. Guided by the cultural gene theory, this study systematically analyzes the wooden decorations of the Luzhai complex in Dongyang, Zhejiang, and constructs a “tangible–intangible” gene map comprising 24 relevant factors, including form, craftsmanship, and symbolic meaning. Through AHP-FCE (Analytic Hierarchy Process- Fuzzy Comprehensive Evaluation) quantitative analysis, 126 typical components from 427 decorative samples (including 165 from the Ming Dynasty and 262 from the Qing Dynasty) in the Ming and Qing Dynasty Luzhai in Dongyang were coded and quantitatively evaluated. The results indicate that the Ming-dynasty wooden architectural decorations in the Luzhai complex are characterized by botanical patterns, relief carving, and Confucian ethics, embodying restraint and ritual order; whereas Qing-dynasty decorations are characterized by animal patterns, round carving, and status symbols, reflecting sociocultural and economic transformation. This study provides a methodological framework for interpreting regional architectural decoration and offers theoretical and practical support for the conservation and digital preservation of traditional architectural heritage.
Shen et al. (Thu,) studied this question.
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