Abstract This article re-examines the figure of the ‘New Indian Woman’ through the lens of flânerie , arguing that contemporary Indian English detective fiction redefines female agency through spatial and perceptual autonomy. Focusing on the works of Kalpana Swaminathan and Kishwar Desai, it explores how women detectives such as Lalli, Sita, and Simran Singh transform the masculine trope of the flâneur into a feminist mode of urban engagement. Their acts of walking, observing, and detecting challenge patriarchal spatial norms and expose the inequalities embedded in modern Indian life. Moving beyond interpretations that link the ‘New Indian Woman’ solely to sexual transgression or domestic rebellion, the article contends that her agency lies equally in her right to loiter, to look, and to interpret the world around her. Through this, the detective genre becomes a site where gender, modernity, and spatial politics converge to articulate a distinctly feminist vision of contemporary India.
Somjeeta Pandey (Mon,) studied this question.
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