Abstract This article focuses on Xunzi's perspective on the embodied dimension of moral cultivation, examining how ritual practice transforms desire by repatterning bodily life at levels of sensing, feeling, and aesthetic attunement. Through proper and beautiful patterns ( wen 文) enacted in everyday routines alongside formal rites, perception, affect, and evaluative judgment are reshaped and brought into coordinated alignment. In this process, the sensorium is recalibrated, becoming the medium through which moral sensibility stabilizes as a durable mode of responsiveness and eventually matures into moral taste, a formed capacity to discern and experience propriety as fitting, resonant, and affectively satisfying. Close analysis of Xunzi's analogies, musical imagery, and physiological descriptions makes explicit how ritual reorganizes qi 氣 (vital energy), retraining bodily and sensory experience so that qing 情 (affective dispositions) may be articulated, disciplined, and enriched through patterning. A focused analysis of mourning illustrates how natural sorrow ( ai 哀) is composed with reverent attending ( jing 敬) into a structured affective configuration through embodied participation that recalibrates intensity, duration, posture, and expression, rendering grief inhabitable and normatively intelligible. By foregrounding this somatic‐aesthetic dimension, the study clarifies how ritual anchors moral life in the felt texture of ordinary conduct.
Yalin Zhou (Tue,) studied this question.