This study explores the feminist transformation of the femme fatale through a comparative analysis of Circe in The Odyssey and Amy Dunne in Gone Girl. Using Feminist Criticism guided by Simone de Beauvoir’s The Second Sex and Betty Friedan’s The Feminine Mystique, the research investigates how the femme fatale evolved across different historical, cultural, and literary contexts. Specifically, the study explores the common and unique traits of both characters, the contrasting themes and patterns that shape their portrayals, the influence of literary form on the representation of the femme fatale, and the impact of this transformation on contemporary perceptions of women. A qualitative research design was employed through content analysis. Selected excerpts from Homer’s The Odyssey and Gillian Flynn’s Gone Girl were examined using predetermined themes, including allure, ulterior motive, weaponized seduction, calculated deception, female authority, and male downfall. The findings reveal that both Circe and Amy Dunne embody the essential characteristics of the femme fatale by resisting patriarchal authority and challenging male dominance. However, their methods of exercising power differ according to their sociocultural environments. Circe relies on supernatural authority and symbolic forms of entrapment, while Amy utilizes psychological manipulation, media control, and performative identity to achieve her goals. The study concludes that although the femme fatale continues to function as a disruptive force associated with male downfall, the archetype has evolved from a mythic representation of patriarchal anxiety into a more nuanced symbol of female agency and resistance that reflects contemporary feminism in literature. Overall, the findings contribute to contemporary feminist literary scholarship by highlighting the relationship between literary representation, sociocultural change, and the continuing evolution of women’s roles in literature
Cator et al. (Tue,) studied this question.