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This paper focuses on the visual perception of printed and calligraphic fonts, conducting a comparative study on their characteristics, existing issues, and optimization strategies. The purpose is to enhance people's aesthetic appreciation and cultural literacy of fonts, and to promote the development of font design and cultural undertakings. The study finds significant differences between printed and calligraphic fonts in terms of their characteristics, issues, and optimization strategies. These differences present various challenges in practical applications, necessitating a balance between respecting and protecting traditional culture, and focusing on innovation and development to meet the needs of modern society.
Zongyu Ma (Tue,) studied this question.
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