“She Trafficked On Her Own Account”: Black Women’s Abolitionist Geographies in Robert Wedderburn’s Horrors of Slavery (1824) and History of Mary Prince (1831)

Robert Wedderburn self-published Horrors of Slavery (1824) within ultraradical networks in London, so his life narrative was not shaped by the political ambitions of white, middle-class abolitionists. By celebrating the communal, place-based resistances of his enslaved mother and grandmother as the source of his own emancipation from slavery, Horrors reworked the Romantic figuration of sorrowful, enslaved Black mothers. Wedderburn's mother, Rosanna, demanded that his enslaver father manumit him. His grandmother, Talkee Amy, was a higgler and obeah woman who "trafficked on her own account." Wedderburn's description of Rosanna and Talkee Amy's place-based abolitionist geographies then serves as an illuminating intertext for History of Mary Prince (1831). Like Wedderburn's mother and grandmother, Prince entered and navigated spaces in a way that asserted her humanness by rebelliously claiming kinship and higglering in unofficial local economies. In both narratives, Black women cultivated communal, material, and place-based forms of liberation from slavery, and their stories supplement and even challenge current understandings of Romantic-era abolition and women's activism.