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As urbanization has accelerated, rail transit has evolved from being a mere means of transportation to a public area that houses the city’s cultural memory and serves as a crucial portal for the public to understand the culture of the city. As an urban public space with huge passenger flow, the metro (or subway) cultural space has also become a public cultural space, serving communal welfare and representing the image of the city. It is currently attracting more and more attention from the academic community. Wuhan, located in central China, has many subway lines and its engineering construction has set several national firsts, which is a typical sample of urban subway development in China. In this study, we use Python 3.13.0 crawler technology to capture the public’s comments on cultural space of Wuhan metro in social media and adopt SnowNLP sentiment score and LDA thematic clustering analysis to explore the overall quality, distinct characteristics, and deficiencies of Wuhan metro cultural space construction, and propose targeted design optimization strategies based on this study. The main findings are as follows: (1) The metro cultural space is an important window for the public to perceive the city culture, and the public in general shows positive perception of emotions: among the 16,316 data samples, 47.7% are positive comments, 17.8% are neutral comments, and 34.5% are negative comments. (2) Based on the frequency of content in the sample data for metro station exit and entrance space, metro train space, metro concourse and platform space, they are ranked as weak cultural spaces (18%), medium cultural spaces (33%), and strong cultural spaces (49%) in terms of the public’s perception of urban culture. (3) At present, there are certain deficiencies in Wuhan metro cultural space: the circulation paths in concourses and platforms are overly dominant, leaving little space for rest or interaction; the cultural symbols of metro train space are fragmented; the way of articulation between cultural and functional space in the metro station exit and entrance space is weak, and the space is single in form. (4) Wuhan metro cultural space needs to be based on locality landscape expression, functional zoning reorganization, innovative scene creation to optimize the visual symbol system and behavioral symbol system in the space, to establish a good image of the space, and to strengthen the public’s cultural identity and emotional resonance.
Wei et al. (Mon,) studied this question.