This article examines the role of colorism in shaping identity formation in African American literature, with particular attention to the works of Nella Larsen, Delores Phillips, and Brit Bennett . While racism has been widely studied, colorism, defined as intra-racial discrimination based on skin tone, remains an underexplored yet deeply influential social and psychological phenomenon. Drawing on Critical Race Theory, cultural studies, and theories of identity construction, this study analyzes how literary narratives represent the complex interplay between social hierarchies, family dynamics, and personal identity. Through a close reading of Passing , The Darkest Child , and The Vanishing Half , the article highlights how characters negotiate their identities within systems structured by both racial and intra-racial inequalities. The analysis reveals that colorism operates as both a structural and internalized system, shaping access to social mobility while producing psychological fragmentation, insecurity, and tensions in belonging. The phenomenon of racial passing further illustrates the paradox of identity, where proximity to whiteness provides privilege but often results in alienation and loss of self. By foregrounding literary representations of colorism, this study contributes to broader debates on race, identity, and cultural representation in African American and diasporic contexts. It argues that African American literature not only reflects the realities of color-based hierarchies but also critically interrogates the processes through which identity is constructed, negotiated, and transformed.
Kodjo Adaha (Mon,) studied this question.