This paper offers a comparative literary analysis of Charles Dickens’s Great Expectations (1861) and William Faulkner’s “A Rose for Emily” (1930), focusing on the characters of Miss Havisham and Emily Grierson. By examining intersecting themes such as decay, isolation, and emotional stasis, the study explores how both authors utilize Gothic elements to critique social norms, gender expectations, and the psychological consequences of betrayal and loss. Drawing on psychoanalytic and feminist literary criticism, it argues that Miss Havisham and Emily Grierson embody extreme responses to trauma, evolving into haunting figures of feminine decline. Engaging with critical perspectives from Hilary Schor, Judith Fetterley, Rosemarie Bodenheimer, John Lucas, Noel Polk, and Julia Kristeva, the paper situates these women within broader discourses on trauma, memory, and the grotesque. Ultimately, the comparison reveals how their emotional stagnation serves as a metaphor for wider cultural crises—the disintegration of Victorian idealism and the decay of the Old South. Keywords: Emotional stasis, Gothic literature, Miss Havisham, Emily Grierson, feminist criticism, psychoanalytic theory, cultural decay.
Ezzeldin Elmadda (2025) studied this question.