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September 10, 2025Church archaeology.0 citations

Eighteenth-century stonemasons in the Black Mountains

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RSRobert J SilvesteLPLiz Pitman.

Key Points

  • The study reveals the diversity of stonemasonry in the Black Mountains, demonstrating regional artistic styles and social contributions.
  • Significant findings include the distinct styles of the Brute family, whose work showcases artistic evolution across three generations.
  • Market competition impacted distribution, as shown by the shifting focus of Thomas Brute's grandsons' work to a limited area.
  • Eighteenth-century stone wall tablets serve as a historical record, reflecting various social classes and local craftsmanship.

Abstract

The churches in the Black Mountains of the South Wales borderland contain an exceptional number of 18th-century stone wall tablets commemorating people from various social classes. Many of the stones were signed by local masons and it is possible to recognise both families and individuals at work, and determine the market areas they exploited. The most colourful of these monuments were produced by three generations of the Brute family from Llanbedr in south-eastern Breconshire. Each member of the family created his own distinctive style, but while Thomas Brutes products were distributed widely, competition at the end of the 18th century restricted his grandsons work to a limited area around Llanbedr.

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Cite This Study

Silveste et al. (1998) studied this question.

synapsesocial.com/papers/68c19ab49b7b07f3a061c912https://doi.org/10.3828/1081862
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