Cinema is the visual medium that tells intriguing stories and presents various social, cultural, political, economic, and psychological aspects. Indian cinema is bestowed with diversity and richness in presenting multifaceted expressions of reality. Bollywood, one of the major film industries in India, has captured the attention of a global audience for its depictions of many such issues through multiple genres. There has been a rise in the production of woman-centric films offering minute expressions on the issues of gender and culture. In this context, this paper attempts to explore various socio-cultural issues reflected in the Hindi film, Laapataa Ladies (2024), directed by Kiran Rao. As an analytical study, while discussing the plight of Indian rural women, the paper primarily delves into gender and cultural dynamics in the Indian social scenario. Further, it aims to shed light on themes like women’s identity assertion, discovery of self, freedom of choice, and expression through feminist lenses. It also critiques the issues of forced arranged marriage, dowry, domestic violence, veiling, and female education to reflect on the predicaments experienced by women living in rural India due to rigid socio-cultural codes and structures.
Rashmita Devi (2025) studied this question.