As a core branch of Cantonese embroidery, Chaozhou embroidery embodies a distinctive artistic identity shaped by the cultural landscape of the Chaoshan region. This article systematically examines its aesthetic system across four dimensions: form, imagery, craftsmanship, and culture. The analysis highlights how compositional principles of fullness, symmetry, vibrant coloration, and raised relief techniques construct a mature visual language. Its symbolic repertoire, including dragons, phoenixes, auspicious motifs, and narrative themes, translates cultural values into visual expression. Craftsmanship is explored through its extensive stitch repertoire, material innovations with gold and silver threads, and rigorous transmission practices that safeguard artisanal knowledge. The cultural dimension situates embroidery within local rituals, diaspora identity, and evolving practices of safeguarding and innovation. By interweaving tradition with contemporary creativity, Chaozhou embroidery demonstrates both resilience and adaptability, serving as a vital cultural emblem of Chaoshan heritage and a dynamic contributor to the broader discourse on Chinese and global embroidery arts.
Yuhua Li (2025) studied this question.