Indian mythology and literature are often celebrated for the diversity of characters, yet the representation of women within these traditions is frequently confined to symbols of victimhood and vulnerability. However, Hinduism is equally rich in powerful female figures who embody divinity and valour. Epics like Ramayana and Mahabharata valorise male figures, thereby reinforcing the masculinisation of divinity. However, Hinduism is rich with powerful female figures who embody divinity and whose presence has shaped cultural and spiritual discourses. This paper addresses the lack of a thealogical engagement in Indian myths by foregrounding characters like Draupathy, Kannaki, and Sati as embodiments of Prakrti or the divine feminine. Through the theoretical framework of thealogy as articulated by Naomi Goldenberg, the paper explores krodha, the divine rage as a potent mode of resistance, justice and restoration. By placing these women within thealogy, this paper reclaims their agency and explores how rage functions as a manifestation of Prakrti or sacred feminine power. Ultimately, this paper contributes towards feminist studies of Indian epics by challenging the victim-centric views of female characters and reframing them as active participants in the cosmic order.
Jyothilekshmi P. S (2025) studied this question.