‘A Herd of snivelling, grinning Hypocrites’: Religious Hypocrisy in Restoration Drama

This article explores the various manifestations of religious hypocrisy to be found in new plays written in England between 1660 and 1720. It shows how the dramatists used hypocrisy both as a polemical weapon at times of religious conflict, and as an engaging form of theatricality. Exploring hypocrisy through drama is apposite as many of the key characteristics of hypocrisy – masks, role-playing, disguise and dissimulation – have been features of the theatre since ancient Greek times. The post-Restoration dramatists created worlds of masquerade for their hypocritical characters to inhabit, while the plays themselves offer examples of unselfconscious casuists, disreputable clerics, predatory monsters, and those who dissimulate religious beliefs, or have none at all.