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May 16, 2024Journal of Consent-Based Performance0 citationsOpen Access

True Women as Sacred Friends

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KKKristine Koyama

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Abstract

Drawing from African American author and anti-slavery advocate Harriet Jacobs, this essay demonstrates that even well-intentioned white abolitionists can inadvertently reinforce racist systems. Jacobs sought help from white abolitionist Harriet Beecher Stowe to share her emancipation story, but received a response that exposed her past to Jacobs’s employer without consent. In her novelized memoir Incidents in the Life of a Slave Girl, Jacobs demonstrates the importance of Black voices and leaders in the abolitionist movement, showcasing feminist scholar Chandra Mohanty's concept of a “coalition” of women using their diverse positions to combat social inequities. By examining Jacobs's portrayal of the white women who aided her, I argue that Jacobs employs the rhetoric of true womanhood and sentimental novels to depict models of true allyship marked by consent-based sympathy. This essay delves into the nuances between sympathy and empathy in the context of nineteenth-century literature, referencing Gay Gibson Cima's assertion that these terms cannot be collapsed. By connecting Jacobs's use of sentimentality to Cima's differentiation between Black expressions of sympathy and empathy, this essay reveals how Jacobs strategically fosters empathetic connections between white and enslaved women, promoting a coalition of consent-based allyship in nineteenth-century abolitionist discourse.

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Kristine Koyama (2024) studied this question.

synapsesocial.com/papers/68e69d5db6db643587622d26https://doi.org/10.46787/jcbp.v3i1.3900
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Also Consider

Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context:

  1. 1Reclaiming Black (Female) Subjectivity and the Othered Gaze in Harriet's Incidents in the Life of a Slave Girl: Analyzing White Representation in the Black Imagination2024
  2. 2Realization of Feminist Identity in Toni Morrison's "Beloved" and Alice Walker's "The Color Purple": A Perspective Based on Womanism2024
  3. 3Southern Black Women and Their Struggle for Freedom During the Civil War and Reconstruction2026
  4. 4Black Girlish Departure and the “Semiotics of Theater” in Harriet Jacobs's Narrative; or, Lulu & Ellen: Four Opening Acts2019
  5. 5A Black Feminist Perspective on Empowering Women in Elizabeth Alexander’s “Absence” and “The Girls”2025