In the 1930s and early 1940s, "Jeokbyeokga" was introduced into the phonographic records - Focusing on the aspects of the phonographic records recordings recorded by senior singers and junior singers

The first half of the 20th century marked a period of change in the Pansori performance environment. Pansori performances, which had been reduced during the Japanese colonial era, became active again as the general public had more opportunities to experience them through mass media. During this period, the release of phonographic recordings of “Jeokbyeokga” rapidly increased. “Jeokbyeokga” was mainly recorded by older, junior, and female singers. This study compares the phonographic recordings of older and junior singers of “Jeokbyeokga” from the 1930s to the early 1940s. “Jeokbyeokga” singers during the 1930s can be divided into older and junior singers depending on the generation. The narrative distribution and the musical characteristics of the “Jeokbyeokga” differed between the older and junior singers. Therefore, among the narratives of “Jeokbyeokga,” older singers mainly recorded the passage before the Red Wall Battle and the passage of Ujo. Meanwhile, junior singers, who learned from the older singers, mainly recorded the passage of “Hwayongdo Runaway” after the Red Wall War in the narrative and Gyemyeonjo. Older singers who recorded “Jeokbyeokga” on the voiced album was an old-style singer. The differences between older and junior singers' parts in their phonographic recordings of “Jeokbyeokga” can also reflect whether they experienced and learned the Pansori music culture of the traditional society, which considers “Jeokbyeokga” as a measure of determining the master's song and values the passage of Ujo.