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April 24, 2024Symbolic Interaction3 citations

Music and the Social Construction of Self

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JSJ. E. SumerauLMLain A. B. Mathers

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Abstract

Sociologists have demonstrated that people use music to construct meaning in numerous specific contexts, groups, and subcultures. This article expands such work by examining how people draw on music to construct identities in daily life beyond any specific setting. Drawing on four years of participant observation and twenty‐five in‐depth interviews, findings demonstrate three mechanisms of identity‐work as people use music in public to (1) define who they are , (2) explain how they feel because of who they are , and (3) narrate where they have been in their lives that made them who they are . These findings demonstrate how people use music in daily life to construct identities, and the theoretical potential of such exploration for sociological and music studies of public life.

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Sumerau et al. (2024) studied this question.

synapsesocial.com/papers/68e6dd4fb6db643587658bf0https://doi.org/10.1002/symb.700
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Also Consider

Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context:

  1. 1“It is the Soundtrack for my Life” – Cinematic Construction of Self- Identity Through Music Listening2026
  2. 2Streaming the self: digital music platforms, Uses & Gratifications, and the construction of social identity2026
  3. 3Becoming singular: Musical identity construction and maintenance through the lens of identity process theory2024 · 8 citations
  4. 4The social construction of dance music: Meanings, uses, and cultural capital within everyday lives2026
  5. 5Identity and Role Development Through Music Education: Insights From Symbolic Interactionist Theory2025