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Abstract In the last century, beauty has not often found itself enlisted in struggles for justice. As Alexander Nehemas recounts, beauty's severance from goodness and truth in the modern period renders beauty dangerous, its charm easily wielded as an instrument of oppression in the hands of the powerful. While some scholars have argued for a return to the pre-modern metaphysics that binds beauty to truth and goodness, the abuse of beauty is not simply a modern phenomenon, and its resistance requires more than a pre-modern solution. Beauty is eschatological; thus its abuse points to a failure to order it properly to its eschatological end. This article will argue that the abuse of beauty can be resisted not by spiritualising beauty, but by ordering physical beauty to its eschatological end. This end is most clearly seen in the ascended Christ, with his beautiful body that is human, wounded and hidden.
Laura Cerbus (2024) studied this question.