The representation of recent wars and acts of terror(ism) on stage, as well as the relationship between theatre and the aftermath of 9/11 have been the subject of several publications in the last few years. While it might still be early to speak about the birth of a distinctive field of study, Ariane de Waal’s and Claire Finburgh’s respective monographs are welcome additions to the growing body of literature on this topic.
Elisabet Massana Vidal (2020) studied this question.