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March 15, 20260 citationsOpen Access

Laughter on Trial: Stand-Up Comedy, Hate Speech Laws, and Freedom of Expression in Brazil

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ZRZen Revista

Key Points

  • This analysis explores the complexities of freedom of expression and discrimination in Brazilian comedy.
  • Cultural analysis of legal proceedings involving Léo Lins and his stand-up comedy.
  • Examination of Brazil's Anti-Racism Law and its implications on artistic freedom.
  • Interdisciplinary framework situating the case within broader legal contexts.
  • Lins was initially sentenced to over eight years for his performance under hate speech laws.
  • The Federal Regional Court later acquitted him, highlighting legal tensions around satire and artistic expression.
  • Public debate intensified over the boundaries of humor and hate speech regulation.

Abstract

This paper undertakes a comprehensive socio-legal and cultural analysis of the legal proceedings against Leonardo de Lima Borges Lins, the Brazilian stand-up comedian widely known as Léo Lins, whose 2022 show Perturbador (“Disturbing”) became the focal point of one of the most consequential freedom-of-expression controversies in contemporary Brazilian legal history. Prosecuted under Brazil’s Anti-Racism Law (Law No. 7. 716/1989, later amended by Law No. 14. 532/2023) and provisions of the Statute for Persons with Disabilities, Lins was sentenced in June 2025 to eight years and three months of imprisonment and ordered to pay collective moral damages totaling R303, 600. The conviction generated intense public debate across legal, academic, and cultural spheres. However, the decision was overturned on February 23, 2026, when the Federal Regional Court of the Third Region (TRF-3) acquitted the comedian by a 2–1 vote—an outcome that marked a pivotal moment in the judicial interpretation of humor, satire, and artistic speech in Brazil. The case crystallizes a fundamental tension between artistic freedom and the regulation of hate speech, between the performative persona of the comedian and the legal notion of the speaking subject, and between the state’s legitimate role in protecting vulnerable groups and its coercive authority over expressive activity. By situating the controversy within a broader interdisciplinary framework, this study examines how legal institutions confront the ambiguous boundaries between satire, offense, discrimination, and protected expression.

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Cite This Study

Zen Revista (2026) studied this question.

synapsesocial.com/papers/69b606c483145bc643d1cff5https://doi.org/10.5281/zenodo.18993654
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  5. 5Liquid Censorship and the Judicialization of Speech: Power, Democracy, and the Regulation of Digital Discourse in Brazil2026